The History And Background Of The Guitar

Compared to some musical instruments, the guitar isArabic, Al ud) had a soundbox shaped like a melon or
a relative newcomer dating from the Middle Ages. It'sa giant pear sliced in half. When the Arabs and Moors
origins, go back to long before the beginnings ofinvaded Spain in the eighth century, they took many
recorded history.examples of the instrument with them. Gradually "Al
The first instrument was probably nothing more thanud" spread from Spain, whose people called it the
a bow in the hands of a prehistoric hunter. One day,"laud". to become the French liuth, the German laute
some nameless innovator attached a hollow gourd toand the English lute.
the shaft of a bow. By hugging the gourd to hisCenturies before this, after the fall of Rome, the
chest and bending the shaft back and forth with onemusic-loving Celts of Western Europe had added a
hand (to change the tension on the string), hefingerboard to the kithara, and called the resulting
produced resonant notes by plucking the string withinstrument the chrotta, which may simply have been
his other hand. Primitive instruments of this type aretheir way of pronouncing the old name. In Provence,
still played in various parts of Africa.in South of France, the new instrument was called
A natural outgrowth of the single-string bow was thethe crota. It was there, in all probability, that the
"bow-harp", consisting of several strings attached toguitar had its first beginnings, for Provence
a single soundbox and strung so as to yeild differentexperienced a cultural flowering during the 11th and
notes when plucked by the fingers.This "one string,12th centuries, in which music played a paramount
one note" principle was common to all instruments ofrole.
the harp family known to early inhabitants of theTroubadours who accompanied themselves on the
lands around eastern end of the Mediterraneancrota as they sang songs of love and war were key
Sea.They included the Nubian kissar, the Greekfigures in Provencial society. often of knightly rank,
kithara and the lyre of the Greeks, Assyrians andthey were poets and lyricists who generally
other Near Eastern peoples. David, King of Israel andcomposed works as they sang.
slayer of Goliath, was said to have been proficient onTo keep up with the ever-more sophisticated tastes
the lyre.of their noble audiences and so win fame and
Although the Egyptian nefer (which had bothdistinction over their rivals, some troubadours began
soundbox and a neck) was in use well before theto tinker with their instruments. by slow stages, the
time of Christ, the first "neck" instrument about verycrota was refined to produce clearer notes of purer
much is known was Chinese. The tzi-tze, as it waspitch and wider range, until it came to resemble in a
called after the emperor who invented it in the fifthgeneral way, the modern guitar.
century B.C., was a small square box, punctured atThe transition was interrupted by a bitter religious
the top, with four strings running the length of awar which ultimately destroyed the Provincial
thick bamboo cane. Historians believe that thiscivilization and it's way of life. Some of the Provincial
instrument influenced the development of Westerntroubadours fled to Italy, but more sought refuge in
stringed instruments, particularly the Arab ud whichSpain, especially in nearby Catalonia. The Catalans,
eventually became the lute.long familiar with the lute, eagerly adopted the
From the Greek word kithara came the names ofimproved crota and began to "cross-breed" it with
both guitar and zither. In ancient Rome, the kitharathe older instrument. Thus was laid in the thirteenth
was also called the fidula, which in time gave rise tocentury, the foundations of that devotion to the
the words vihela, once used in Spain for "guitar", andguitar which was to make Spain the leading center
violao, still used in Portugal. "viola" and "violin" stemfor that instrument after well into the 20th Century.
from the same source, as does "fiddle". The ud (in