Traditional Ethiopian Music and Ethiopian Culture

Ethiopia has a very rich and diverse music history.derived from the Geez word Zemmari, which means
The various tribes and ethnic groups of Ethiopia have“one who sings”. Today, the concept
their own distinct music culture and tradition. Themainly applies to establishments where professional
Tigrayans to the north have this smooth, circularmasinqo players and the female singers that
dance routine culminated with shoulder and neckaccompany them play.
movement. The Amharas at the center have danceWhen it comes to Azmari performances, lyrics can
style dominated by upper body and neck movement.be largely improvised or sung with the art of double
The Oromos to the center and south have thismeaning called Kinie or Semmna Werq (meaning, the
jumping style and full body dance routine. Theliteral and the hidden messages). The audience is not
Gurages have an acrobatic dance that requires highsupposed to take the lyrics literally – they are
level of arm, leg and body coordination.challenged to listen carefully to get the
Traditional Ethiopian music instruments include the“golden” sense. The Azmaris may praise
masingo, a one-stringed violin like instrument that isindividuals in the audience through their songs to uplift
played with a bow; the krar, a six-stringed lyre,their mood. This favor in Ethiopian culture is usually
played with fingers or a plectrum; the washint, a fluteresponded in kind by awarding the performer cash
made from bamboo; and various drums. There are– by pasting a bill on the forehead, or stashing
three types of drums that are used in differentit in the performer’s shirt.
occasions: the negarit (kettledrum), played withAzmaris also accept verses thrown at them by
sticks, the kebero, played with hands, and themembers of the audience and skillfully incorporate
atamo, tapped with the fingers or palm. Otherthem into their music. In traditional Ethiopian music
instruments include the begena, a huge, multi-stringedand Ethiopian culture, the skill at improvisation by the
lyre often referred to as the Harp of David; theAzmari is as important as his/her vocal performance,
tsinatsil or sistrum, which is used in churches; theor his/her skill at playing the masinqo. With such
meleket, a long trumpet without fingerholes, and theimprovised lyrics, one may appreciate, denounce,
embilta, a large, one-note flute used on ceremonialadvice, teach, entertain, and much more.
occasions.In recent years, Azmari Ethiopian music performances
In addition to the above traditional music instruments,have even spread to other parts of the world
Ethiopian music also includes various types of modernoutside Ethiopia. One can find “Azmari
music instruments that are used by bands playingBetoch” in some parts of Europe and North
Ethiopian jazz, pop, and the like. Modern EthiopianAmerica where there are significant pockets of
music instruments include the guitar, percussion, violin,Ethiopian immigrants residing, including in cities such as
saxophone, mandolin, clarinet, accordion, etc.Washington DC and Los Angeles in the USA, and
The masinqo is one of the most popular traditionalLondon in UK. Although these establishments are not
Ethiopian music instruments used throughout Ethiopia.exactly the traditional Ethiopian “Azmari
It is one of the fixtures in Ethiopian culture. AlthoughBet” variety, they offer many of the services
it looks simple, the masinqo can, in the hands of antheir counterparts in Ethiopia provide, including music
expert musician, produces a wide variety of melodies.using the masinqo.
It is often played by wandering minstrels as well asResources:
professional musicians, particularly at eating housesFor more on Ethiopian Music and Ethiopian Culture
and local bars called “Bunna Bet” orplease visit Ezega Community.
“Azmari Bet”. The word Azmari is